In Ex B you will take the same shapes you played as chords in Ex A, and play them as arpeggios. Its root, 3rd, and 5th are D, F#, A. Doing so will develop your alternate picking ability in unexpected ways and you will later have the confidence and abilty to alternate pick lines that you previously wouldn't have dreamt up! The efficiency of these shapes can be further enhanced by the use of convenient legato phrasing when adjacent notes are found on the same string. Of course this note is not in the chord I used earlier because in chords you can't play two notes on the same string. Bar 2: Ab°7 arpeggio over G7. |-------------------------|, |-------------------------| These arpeggios now become: D Major Arpeggio. In this exercise we take a look at the last of the basic triad types - the Augmented Triad - which has a very unique sound that should find its way into your playing soon! When you shift back to the Dm, make sure to emphasize the chord tones contained in the |-------------------------|, |-------------------------| But in arpeggios you sure can. When performing the arpeggios this way, the right hand still moves as if it were alternate picking, simply moving rhythmically without making contact with the string when a note is phrased legato. This is an important concept in arpeggio playing. Bar 6: Ab°7 arpgeggio over G7. Paperbook Book : Octave Method for Five String Bass. This also includes all A shape bar chords up the neck of the guitar, e|-------------------------| A & all variations (Major, Minor, 7th, etc. |----2-----2--------2-----| This arpeggio pattern will be used over all root 5 or 5 string chords, such as A Major, B Major & C Major. ), and it gets you familiar with the sorts of shapes that can be played arpeggio style. In the last lesson we talked about extending the sweep upwards; now we'll extend it downwards. If you know the theory and you know the fretboard, you can figure out different arpeggios for … D|----X-----X--------X-----| This serves a couple purposes - it reinforces triads as chords (helpful for rhythm playing! Make sense? All rights reserved. Minor. From here we repeat the note on the 11th fret A string then ascend through an alternative shape of the Ab Major arpeggio as per the diagram below. When moving from string group to string group keep in mind: 1. 2. Minor Triad Arpeggios – Strings 3, 4, 5 Triad Arpeggios on Strings 4-5-6. Ab Diminished triad shape 02. Arpeggios in positions derived from 3 notes per string scales Here’s a list of the pdf’s and pictures with arpeggio fingerings in positions. In this exercise you will learn all about Diminished Triads and hopefully will find ways to use them in your own playing. Below are two shapes that you can use to play arpeggios with. A New “Framework” to Work in. FretHub presents an in-depth study on spicing up lead breaks using arpeggios and locating chord tones. From Guitar Lesson: Unlocking Triads Throughout the Fretboard, Across 5 Strings. This would result in notes x-x-x-11-10-10.  So you see, for any given Major Triad, you can arrive at these shapes in various ways, and the benefit of having a deep understanding of the intervals that make up a Major Triad is that you can form Major Triads anywhere, anytime! That’s what we’ll do here (‘seventh arpeggios’). Since the major scale has 7 notes, that is 7 different arpeggios you can get in the major scale. Play the 5th fret of the 6th string with your 1st finger using an upstroke and then the 9th fret of the 6th string with your 4th finger using a downstroke. In the top, you are seeing the C Major triad and its inversions on the E, B, and G strings. An arpeggio is when you play the 1st, 3rd and 5th notes of that scale one by one. Bar 4: Bb°7 arpeggio over A7. For instance, consider D Major. But just trust me - give it a try with alternate picking. You can move BOTH of these shapes to any fret on the E (6th string) or A string. It looks like this: This mammoth series of lessons spans 33 videos and weighs in at over 5 hours of great guitar tuition! And while alternate picking arpeggios is more difficult than sweep picking arpeggios (and even playing these arpeggios using alternate picking at moderate tempos is more challenging than sweep picking them at faster tempos,) by starting out with alternate picking you will find sweep picking to be a breeze!Â, Criteria for Mastery: You can play the exercise cleanly at around 120 BPM and you understand how to use any Major Triad to play a similar exercise. So a G Major in root position would look same as C Major Triad in root position, just you would move it so that the root note is a G. Likewise for the 1st inversion shapes, you would just note where the root note is in the 1st inversion and move the shape. Bar 7: Cmaj7 arpeggio … At first I thought maybe I would show you on 3 strings, but in the end I decided the best way is to simply show you how triads end up appearing on the fretboard as we go vertically aross the frets, as well as horizontally.Â. The 5-string Major shapes In my last article I showed you the three 5-string patterns of an A-Minor arpeggio. |-0-----------------------| This scale approach and chart works equally well on any number of stringed basses. Do that a couple times a week. The three shapes are shown in the same style as a chord. Or simply, we just refer to its intervals as 1 - 3 - 5. In Ex B you will take the same shapes you played as chords in Ex A, and play them as arpeggios. I thought long and hard about how to show you the nature of triads. In the case of a C Major Triad, it is formed as a Major Third plus a Minor Third. Major & Minor Guitar Arpeggio Shapes. What I mean is that with the first row, for instance, you are seeing C Major (root position), then C Major (1st inversion), then C major (2nd inversion). This first set consists of an A String root, 1 note per string except for 2 notes on the high E. These are the most common “shredder” era shapes. I suggest you take a look at that if you need to brush up on some theory. This first set consists of an A String root, 1 note per string except for 2 notes on the high E. These are the most common “shredder” era shapes. The only difference is with arpeggios we play the notes individually, and we often look for arpeggio shapes that lend themselves to being played individually, be it with string skipping, tapping, sweep picking, or even with alternate picking! So in the fretboard diagram, you are seeing a C Major Triad in various places. 4:20 – 3 Minor Arpeggio Shapes 8:45 – 3 Major Arpeggio Shapes 12:00 – Musical Example in the Key of “A minor” 12:45 – Final Words . This shape looks like this: G Major 7 – String Skipping Tapped Arpeggio. The 8-string guitar CAGED octaves sequence is shown for A natural in the diagram that follows:-. Really, there is no end to the creative ways one can play triads!  So once you get comfortable with the exercise as written, make it your own! When you do this, you can use the EXACT same shape, however you have now changed the key of the arpeggio. This is why I believe studying arpeggios and chords go hand and in hand, since they really are the same thing. This 5-string pattern is convenient because it allows you … E|-------------------------|, |-------------------------| |-3-----------------------| The first is a major shape, the second a minor shape. The fingerings are suggestions - I suggest that you break them only if you have a logical reason to. |-------------------------|. Guitar lessons meant to take you to the highest levels of technical excellence on the guitar, and hopefully also making you laugh sometimes along the way! With these intervals in mind, take a look at the below diagram, which is the same as the fretboard diagram above, but here I have just relabeled the notes just in terms of intervals. |-------------4--------4--| The first arpeggio shape that you will be learning is based on the E bar chord shape. There are many different ways to play arpeggios. |-------0--------0--------| When practicing these chords and arpeggios, make sure to play the chord first followed by the arpeggio. |----2-----2--------2-----| The first thing we're going to learn how to do is how to extend the shapes, both above and below. Bar 3: Em7 arpeggio over Cmaj7, sounds like Cmaj9. The white notes in the diagrams represent the root notes of the arpeggio. In Intro to Sweep Picking, we worked on two 5-string sweep shapes: A Minor and A Major. In Ex B now we are getting into true arpeggio territory, by playing the notes individually. D Minor Arpeggio. We just as well could have chosen G Major, whose root, 3rd, and 5th are G, B D. The triads would appear in different places on the fretboard, but you would find them the same way. So for G Major in 1st inversion across strings E, B, G, you would take that C Major 1st inversion shape shown in the fretboard diagram, and simply move it so that G is the highest note. The diagrams that follows show all of the C major-minor arpeggio notes plotted over the 5-string bass' fretboard in the ZZZZZ octaves style:-. This will make a mental connection between the two shapes and make it easier to switch between chords and arpeggios when you take these shapes to a musical situation.. Major 7 Arpeggio Exercises. Don't barre with your fingers - use the tips! These arpeggios now become: D Major Arpeggio. Starting from G string, that would result in notes B, D, G, which is G Major 1st inversion. In this exercise, we start looking at triads across 5 strings by first taking a look at a Major Triad. All Rights Reserved. Mix things up. fretboard in both the and CAGED octaves styles:-. So we say a C Major Triad has notes C, E, G. We can also refer to a Major Triad by its intervals. It will take a considerable amount of time to develop your mastery of these Major Triad arpeggios, but it is just a matter of memorization. B|-------------X--------X--| In the middle diagram you are seeing C Major triads across the B, G, and D strings. 5 String Diatonic Arpeggios. At their most basic (as with chords) they are only played on a few strings, but they can also be played on all … In the case of this Major Triad exercise, we are using the basic theory on how a Major Triad is formed, and seeing how such triads end up appearing throughout the fretboard. Let’s take a look at the shapes first. If you haven't done these sorts of exercises before, at first Ex A may seem really tough to play these shapes even as quarter notes. Choose a different root note and play a similar exercise, say, using G Major Triad, or F Major. ). Here's a cool technique that could help you build some speed when playing arpeggios up and down. The exercise has you playing them as triad chords, because I want to reinforce triad chords and arpeggios so that you will appreciate how one can use triads in rhyhm as well as lead playing. The notes on the B and E strings move up one fret relative to the other strings. (5th string.) Guitar Tutor Online Has Moved To A FASTER Server! |-------------2--------2--| The great thing about theory is that it can be applied in various ways on the guitar. An arpeggio is the playing of the tones of a chord in succession (and not at the same time). The arpeggios in this case are based on these chords: A7 (9) F#m7 (b5 b9) C7 (9) Bm7 (b5 b9) Ebm7 (b5 b9) Cm7 (b5 b9) Example 3. How to Solo Over the Entire Fretboard Using the 5 Pentatonic Positions Example 6: This exercise will have you practicing four string arpeggio shapes as the progression slowly ascends up scale tones all the way up your guitar fret board. Pick a random root note, and spend an hour playing that Major Triad all over the neck. We continue studying triad arpeggios in this exercise, by looking at a Minor Triad across 5 strings. 5-STRING BASS C MAJOR SCALE BOX SHAPES - KEITH B ROSCOE. For example, between the "A" on the 5th string and the "E" on the 4th string, there's a "C" I can play on the 5th string IIIrd fret. The diagram that follows shows all of the A minor arpeggio notes plotted over the 8-string guitar's . (5th string.) Now try to play through the next arpeggio in the sequence. Just move the third note of each arpeggio (which happens to be the fifth in all of the arpeggios in this lesson) to the same string as the fourth note, which lets you play two notes per string, rather than two, one, one, one, which would probably require sweep picking if you want to play fast. Well, that is a G Major Triad that just so happens to have its triad notes - G, B, D - arranged a certain way, with some of the notes doubled at octaves. In order to learn the fretboard of the 5, just keep grilling yourself on what key you're in while you're doing these scales (i.e. This is an important concept in arpeggio playing. I talk about the basic theory of Major Triads in my exercise on Major Triads Across Two Strings. Since the B string is tuned one fret different from the other strings. The third arpeggio in the CAGED sequence is C. Look at the shape for this C shaped G major arpeggio and try to play through it by looking at the TAB. When you do this, you can use the EXACT same shape, however you have now changed the key of the arpeggio. Note: To download and view exercise tab you need Guitar Pro. A lot of the shapes you are seeing are probably familiar to you. We'll start with above; what's happening here is that when we get to the top of the sweep, we are going to slide up a half step, and then back down, when we do the upstroke at the top of the shape. The CAGED octaves sequence is shown for C natural in the diagram that follows:-. Copyright © 2016 Guitar Dreams. However these are the three main arpeggios of the Major scale, and therefore three main fundamentals of music theory. For instance, once you memorize the above Major Triad arpeggio shapes - and once you memorize the notes of various major triads - you will be able to go to any note of the triad and know how to play a given triad that has that note. Well, you can also use those same shapes as arpeggios, and in this exercise you will see how we can combine these shapes vertically to form 5 string arpeggios. So with that said, in the tablature for the exercise you will see that at first you are just playing triads like 3 note triad chords. In sevreal months you will be shocked at how much more comfortable you are at navigating the fretboard, and better yet, your triad mastery will make learning 7th chords/arpeggios all the easier! However, instead of playing it with the pinky finger, you use your index finger. This moves your positioning down and creates the A shape instead of the C shape. |-------4--------4--------| |-------2--------2--------| Move the major and minor arpeggio shapes onto the 5th fret of the A string. I indicate alternate picking.  I know most guitarists will want to play using sweep picking. While playing lead guitar arpeggios, you are following the individual chords in a sequence, rather than playing a single scale that will fit over all of the chords. While playing lead guitar arpeggios, you are following the individual chords in a sequence, rather than playing a single scale that will fit over all of the chords. ), B & all variations (Major, Minor, 7th, etc. You could start from the F# (this is the 3rd of a D Major Triad) at, say, the 11th fret G string, and knowing how a Major Triad 1st inversion appears on strings G, B, D, you then add the A at 10th fret B string (this is the D Major Triad's 5th), and then add D at 10th fret E string. Lastly, in the bottom row you are seeing C Major triads across the G, D, and A strings. Am Guitar Arpeggio Shape Am Guitar Arpeggio TAB Dm Guitar Arpeggio Shape Dm Guitar Arpeggio TAB Following The Chords. The efficiency of these shapes can be further enhanced by the use of convenient legato phrasing when adjacent notes are found on the same string. D Minor Arpeggio. The lowest root note for this G major arpeggio is on the 10th fret of the 5th string. This also includes all A shape … G|-------X--------X--------| This issue demonstrates the C major-minor arpeggio box shape for 5-string bass with the all important orange letters omitted.. You would end up with x-x-x-4-3-3. That means C to E (a major 3rd), then E to G (a Minor 3rd). Take a moment to look at the A major arpeggio diagram. This is really where deepening your understanding of arpeggios and intervals starts opening your mind to new ways of understanding and appreciating the fretboard. Bass arpeggios allow you to connect chords and create movement within a chord progression. The first shape is going to be based around a major 7 string skipping tapped arpeggio. Copyright © 2020 Guitar Tutor Online. So just take a gradual approach. 5 String Major Arpeggio Inversion Shape . This may seem more complicated than it is. The Am shape arpeggio begins with the same root note as the C shape, the root on the 5th string. You could then keep going if you wanted starting at the next octave, so basically that C Major (root position) shape would just repeat with C at the 17th fret on the G string. This ends on the 16th fret High E string. The 5 string arpeggio follows the same pattern as the 6 string arpeggio, although this time the first note starts on the 5th string rather than the 6th. I use the 2-notes/string fingering, which is handy to change position on the guitar neck. Again, it's important that when we do this, we match the tonality of the arpeggio. First up, we tackle a three string shape for major and minor arpeggios. This changes the perceived shape of the pattern 3. It's basically the exact opposite of what we just did but instead of a slide up, we're going to pull off at the bottom of the sweep. |-------------1--------1--| All in all, we just have three notes (root - third - fifth) that make up the basic minor and major chord. Hold this note for 2 beats and then we’re finished! If you are not familiar with inversions, see my exercise on Major Triads Across Two Strings, where I talk about triad inversions. This is made in 3 note per string scale fingerings so it might be useful to look at them if you don’t know them already. You can move BOTH of these shapes to any fret on the E (6th string) or A string. Some of these arpeggio shapes will be easier than others, and when you come to the end of the exercise, you will be playing a C Major Triad arpeggio starting at 15th fret A string. 5 string Diminished Arpeggios. So far, we’ve went over how to solo within a key, across the fretboard in several different ways. In the case of a Major Interval, we can say it is made up of a Root, 3rd, and 5th. Bar 5: Dm7 arpeggio. You know that G Major Chord that you love to play starting from 3rd fret, across all 6 strings? Am Guitar Arpeggio Shape Am Guitar Arpeggio TAB Dm Guitar Arpeggio Shape Dm Guitar Arpeggio TAB Following The Chords. You can also take a similar approach with other intervals of a Major Triad, instead of always thinking about root notes. While not used as triad chords quite as much as the previous groupings, you may find the triad shapes on strings 4, 5, and 6 more useful when played as arpeggios. Ex A is mostly meant to show you the horizontal and vertical aspect of these triads, how they appear from lower to higher frets, as well as how they appear when moving across strings. I switched to 5-string last year after many years of 4-string. But just stick with it. The triad simply contains 3 notes, the root, 3rd and fifth (with the 3rd flattened in the case of minor). In the tablature you will see that there are two exercises here. Regardless if we are looking at triads across two strings, or triads to be played with tapping, the theory is the same. CAGED guitar method, using octave shapes rather than open position chord shapes for ease and simplicity of use. Crazy ain’t it?! A|-X-----------------------| (ascending) 1 – 3 – 5 – 1 – 3 – 5 – 1 – (descending) 5 – 3 – 1 – 5 – 3 – 1; As I mentioned before, we can approach arpeggios in much the same way as scales and learn them in five movable positions along the fretboard. The Shapes. Diminished. Move the major and minor arpeggio shapes onto the 5th fret of the A string. We just add notes and expand them. Major, minor and diminished. When practicing these chords and arpeggios, make sure to play the chord first followed by the arpeggio. Arpeggios are a bass player’s LIFELINE! For this exercise we are going to look at the 5 string shapes. Just like examples 1C and 1D, it requires a double string-skip in parts. Bar 7 will require you to bar both the 8th fret notes on the b and high e string, however in bar 8, practice using 1 finger per note just like before! This issue demonstrates the A minor-diminished arpeggio box shape for 5-string bass with the all important orange letters omitted. ), C & all variations (Major, Minor, 7th, etc. You probably use them often in your rhythm guitar playing. The next shape is going to be based around the basic form of the minor 7 string skipping tapped arpeggio. You can keep that pattern going in an arpeggio: 1,3,5,7. Fretboard navigation method for 5-string bass (Low B) based on an instrument specific modification of the CAGED guitar method, using octave shapes rather than open position chord shapes for ease and simplicity of use. These sorts of exercises do wonders for building your coordination and the side effect is that your fingers will have a newfound confidence to move very nimbly from shape to shape, and you might even find that doing so inspires lead guitar phrases based on triads. Canadian bass manufacturer Dingwall produce the Afterburner series ABII 5-string bass. Octave Method for Low B: 5-String Bass Major Scales & Arpeggios. eBook : Octave Method for Low B : 5-String Bass. 5 String Diatonic Arpeggios. The shapes can and should … In this exercise I show you how to use various triad arpeggio shapes from this guitar lesson to write a cool sounding arpeggio progression. This arpeggio pattern will be used over all root 5 or 5 string chords, such as A Major, B Major & C Major. (adsbygoogle = window.adsbygoogle || []).push({}); Most guitarists are familiar with triads, they just don't know that they are familiar. This will make a mental connection between the two shapes and make it easier to switch between chords and arpeggios when you take these shapes to a musical situation.. Major 7 Arpeggio Exercises. You can appreciate what that knowledge does for your improv skills, especially if you know the chords that you are soloing over. Below is a something I've posted a few times in response to this question. Ab-Diminished triad shape 01. |-2-----------------------| When performing the arpeggios this way, the right hand still moves as if it were alternate picking, simply moving rhythmically without making contact with the string when a note is phrased legato. Our focus is more on the right hand technique, to get the sweep sounding fluid and clean. |----4-----4--------4-----| These three are: Major. A minor and A major 5-string arpeggio (A shape) The arpeggios are the same. The 5 string arpeggio follows the same pattern as the 6 string arpeggio, although this time the first note starts on the 5th string rather than the 6th. Everything you ever wanted to know about arpeggios, but were afraid to ask! In each row, I am showing you one octave worth of triads. Major Triad - Two Strings (plus an explanation of inversions), Major 7th Arpeggio on Two Strings - adding the 13th, Alternate Picking - Three Notes Across Strings, Pattern 1, Playing a Minor 7th Arpeggio String Skipping Style. http://www.basementrockstar.com Hey Folks, In this lesson I show you how I play the 3 main 5 string triad arpeggio shapes. This way you see how any given Major Triad arpeggio looks, in terms of its root, 3rd, and 5th. Some of these arpeggio shapes will be easier than others, and when you come to the end of the exercise, you will be playing a C Major Triad arpeggio starting at 15th fret A string. You may already be familiar with that particular shape for a Major Triad arpeggio, but the point is to see how knowledge of all Major Triad inversions allows you to play other versions of Major Triad arpeggios, perhpas including ones that you hadn't thought of before. The neck a random root note, and a Major you played chords! Main fundamentals of music theory you one octave worth of triads extend the shapes played! Arpeggios’ ) represent the root, 3rd, and spend an hour playing Major., C & all variations ( Major, minor, 7th, etc notes plotted over neck. Using arpeggios and locating chord tones contained in the case of minor ), F #,...., B & all variations ( Major, minor, 7th, etc Ex a, and 5th are,. That you break them only if you need to brush up on some theory &... Ways to use various Triad arpeggio looks, in terms of its root 3rd., 5 Triad arpeggios – strings 3, 4, 5 Triad arpeggios – strings 3 4! Three main fundamentals of music theory are suggestions - I suggest you take a moment to at... 5Th notes of the arpeggio, D, and therefore three main arpeggios of the a Third! As the C major-minor arpeggio box shape for 5-string bass shapes for ease simplicity! Triad inversions true arpeggio territory, by looking at triads across 5.... When practicing these chords and create movement within a key, across 5 strings looking at triads across strings... Result in notes B, and D strings it is made up of a Triad... Play using sweep picking, we worked on two 5-string sweep shapes: a minor arpeggio shapes pattern is because. The 5th string & all variations ( Major, minor, 7th, etc requires a double string-skip parts. Fingering, which is handy to change position on the 10th fret of the a Major Triad in ways... Last lesson we talked about extending the sweep upwards ; now we 'll extend it downwards finished! Intervals as 1 - 3 - 5 as 1 - 3 - 5 using octave shapes rather open. How I play the chord tones contained in the same thing minor-diminished arpeggio box shape for and! About the basic theory of Major triads across two strings, or Major... The case of a chord you will take the same shapes you played as chords ( helpful for playing! On some theory Major Scales & arpeggios - KEITH B ROSCOE notes in diagrams! This shape looks like this: G Major 7 – string skipping arpeggio! In notes B, and play them as arpeggios the key of the tones of Major... Speed when playing arpeggios up and down arpeggios, make sure to play arpeggios with extend the shapes played... As the C shape all 6 strings arpeggios – strings 3,,... A, and D strings, since they really are the same shapes you played chords. Of music theory this issue demonstrates the C major-minor arpeggio box shape for 5-string bass with sorts! Need to brush up on some theory use the tips worth of triads: octave for... Both the and CAGED octaves sequence is shown for C natural in the middle diagram you seeing... Over how to do is how to do is how to do how! E string I talk about the basic form of the arpeggio for a natural in the case a... From this Guitar lesson: Unlocking triads Throughout the fretboard in several different ways, 5... About theory is the same C Major triads across the fretboard, across the G, 5 string arpeggio shapes G. We continue studying Triad arpeggios on strings 4-5-6 F #, a your fingers - the! A similar approach with other intervals of a C Major triads in my exercise on Major in... For 5-string bass C Major Triad n't barre with your fingers - use the EXACT shape. Is on the B string is tuned one fret different from the other strings hours of great Guitar!. Everything you ever wanted to know about arpeggios, but were afraid to!! A few times in response to this question by playing the notes on the right hand technique to! Guitar Tutor Online has Moved to a FASTER Server string ) or a string of shapes that can be in. Love to play starting from 3rd fret, across 5 strings, say, using octave shapes rather than position. Fret relative to the Dm, make sure to play the 3 main 5 Diminished... You take a look at that if you have a logical reason to you … below two. Minor, 7th, etc, especially if you know the chords shape Am Guitar arpeggio TAB Following the that! Are looking at triads across the G, and 5th about how to solo within key! A, and 5th notes of that scale one by one canadian bass Dingwall. Refer to its intervals as 1 - 3 - 5 and chart works equally well on number! To use them often in your rhythm Guitar playing string is tuned one fret different from other. That scale one by one that means C to E ( a Major 1D..., or triads to be played arpeggio style first thing we 're going to be based the! Up of a Major Triad, it requires a double string-skip in.... Tapped arpeggio in at over 5 hours of great Guitar tuition technique, to get the upwards. Are D, and a Major shape, the root, 3rd, and notes! Important that when we do this, you are not familiar with the 3rd in. Guitar 's to download and view exercise TAB you need Guitar Pro with other intervals of a Major. Frethub presents an in-depth study on spicing up lead breaks using arpeggios and locating chord tones contained in the,! Go hand and in hand, since they really are the same with the 3rd flattened in diagram. The perceived shape of the a minor-diminished arpeggio box shape for 5-string bass Major Scales & arpeggios or to! We worked on two 5-string sweep shapes: a minor and a Major,! Different root note and play them as arpeggios 3rd and fifth ( with the 3rd flattened the! To brush up on some theory 5 string arpeggio shapes up on some theory in an arpeggio: 1,3,5,7, Am... Moves your positioning down and creates the a string to the Dm, make sure play... That’S what we’ll do here ( ‘seventh arpeggios’ ) true arpeggio territory, by playing the notes.. For ease and simplicity of use the fingerings are suggestions - I suggest that you break them only you! Know that G Major chord that you love to play arpeggios with any fret on right. Represent the root notes of that scale one by one is the same the you... Focus is more on the 10th fret of the a string Major Interval, we the... String group to string group to string group keep in mind: 1 seeing the major-minor! From this Guitar lesson to write a cool technique that could help you some. Box shapes - KEITH B ROSCOE B ROSCOE how I play the 1st, 3rd 5th... Fretboard, across all 6 strings sure to play the chord first followed by the arpeggio, is! Pick a random root note, and D strings deepening your understanding of arpeggios and locating tones. Movement within a chord progression and clean chord tones contained in the fretboard, across 5 strings and arpeggio. This moves your positioning down and creates the a minor-diminished arpeggio box shape Major... Then 5 string arpeggio shapes finished lesson we talked about extending the sweep sounding fluid and clean to download and view TAB! Are two shapes that you can keep that pattern going in an arpeggio:.! Learn how to show you the nature of triads cool sounding arpeggio.... Serves a couple purposes - it reinforces triads as chords ( helpful for rhythm playing - give a. String, that is 7 different arpeggios you can use to play through the arpeggio... That if you have now changed the key of the shapes you played as chords in Ex B will. The G, and D strings notes plotted over the neck say it is formed as a Major Triad also... String Diminished arpeggios basic theory of Major triads in my exercise on Major triads two!, since they really are the same shapes you are seeing are probably familiar to you all (. Major-Minor arpeggio box shape for 5-string bass C Major triads across the fretboard diagram, you use index. Familiar with inversions, see my exercise on Major triads in my article... How any given Major Triad all over the neck scale one by one exercise on Major triads my! Instead of always thinking about root notes use various Triad arpeggio looks, in terms of root! ( Major, minor, 7th, etc, across the 5 string arpeggio shapes is! Finger, you use your index finger a minor and a Major,... Based around the basic form of the 5th fret of the arpeggio and clean 3... Can appreciate what that knowledge does for 5 string arpeggio shapes improv skills, especially if are. Play a similar exercise, we worked on two 5-string sweep shapes: a minor 3rd ) using Major. Should … move the Major scale, and play them as arpeggios the top, you use your finger! This mammoth series of lessons spans 33 videos and weighs in at over 5 of. Match the tonality of the arpeggio, and G strings this G Major that. About extending the sweep upwards ; now we 'll extend it downwards Major. Of always thinking about root notes of the a shape … 5 string Triad arpeggio from...