Benedetti’s work could not be read in Uruguay, but Uruguayan literature, thanks to Benedetti, was being read in other parts of the continent as well as in Europe and North America. Retrieved February 24, from, http://www.youtube.com/watch?v=2cK5266ayT0, Creative Commons Attribution-Sharealike 3.0 Unported CC BY-SA 3.0. You supported me and understood me at a time when nobody else did, you reminded me that I could live, that I could cry, and that I could feel. Important Social Commentary. The trip to the United States, besides allowing him to study great American theater, exposed him to poverty, social injustice, and racism in countries other than his own. Both works show the solitude of the protagonist. : 1920, Paso de los Toros, Tacuarembo, Uruguay. As a young man, Benedetti foresaw the problems of the proud Uruguayan society. !b.a.length)for(a+="&ci="+encodeURIComponent(b.a[0]),d=1;d
=a.length+e.length&&(a+=e)}b.i&&(e="&rd="+encodeURIComponent(JSON.stringify(B())),131072>=a.length+e.length&&(a+=e),c=!0);C=a;if(c){d=b.h;b=b.j;var f;if(window.XMLHttpRequest)f=new XMLHttpRequest;else if(window.ActiveXObject)try{f=new ActiveXObject("Msxml2.XMLHTTP")}catch(r){try{f=new ActiveXObject("Microsoft.XMLHTTP")}catch(D){}}f&&(f.open("POST",d+(-1==d.indexOf("?")?"? I presume that this has been said and written by numerous bureaulogists, but I could neither say by whom nor by how many; but as there is still a possibility that it remains an unpublished sentence I’ll say and write it here to remove any lingering doubt. His parents were Breno Benedetti, the son of an established Italian grape grower and chemist, and Matilde Farrugia Benedetti, the daughter of a Spaniard and a French woman. Multiple Genres and More Protest After the coup d’etat of 1973, torture, death, exile, and censorship were the most powerful weapons the military regime used to attack those who opposed its ideology. . 1958: Ida y Vuelta New York Times Book Review contributor James Polk praised the collection for its ‘‘singular and surprising nature’’ and asserted that the best stories ‘‘lead relentlessly toward one apparent ending before abruptly shifting direction and winding up in a totally unexpected place.’’, Video: Response to Mario Benedetti’s No te salves: Conciliar el Sueno. In the powerful United States, where different races and nationalities meet, the protagonist feels marginalized as a Latin American. The economic structure of the country would not reach its financial crisis until 1955, but signs of the weakening system had appeared by the late 1930s, and Benedetti paid attention to those signs, portraying them in the weaknesses of his characters. Before Office Poems, for example, such subjects had been considered antipoetic, since there was nothing interesting in the monotonous routine of an office. Autor de novelas, relatos, poesía, teatro y crítica literaria, publicó más de cincuenta libros y ha sido traducido a veintitrés idiomas. The family moved to the capital, Montevideo, when Mario was four years old. For his poetry and novels Benedetti had won numerous international awards. While going to get my Canadian residency papers at the Canadian Embassy in Mexico City in 1974, a woman, Dorothy Barkley told me, “I am from Vancouver. He excels in all literary forms: novels, short stories, poems, plays, essays, political articles, and songs. Uruguayan novelist Juan Carlos Onetti complained in 1939 that Montevideo did not exist because writers did not re-create the city in their work. Novelist - awesome his work La truce-, author of innumerable short stories, will remind you very especially as a poet, a diaphanous, direct, sensitive poet. The style is direct and colloquial and the tone is realistic. This kind of poetry was not popular in Latin America in 1956, but the novelty and themes ensured its success. By the end of the 1960s Uruguay had fallen into a state of unrest that ultimately led to the coup d’etat of June 27, 1973. Poetry and prose are strongly united—the poems as long epigraphs contain the essence of the stories that follow them. Benedetti's voice shifts from the expository urban observer to a ruthless dissector of individual's morals that passively accept their government's yoke. The family moved to the capital, Montevideo, when Mario was four years old. "),d=t;a[0]in d||!d.execScript||d.execScript("var "+a[0]);for(var e;a.length&&(e=a.shift());)a.length||void 0===c?d[e]?d=d[e]:d=d[e]={}:d[e]=c};function v(b){var c=b.length;if(0
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